Annie Leibovitz-Journalism
Annie Leibovitz's journalism photos were taken in her early years as a photographer working for Rolling Stone Magazine. She used a traditional camera, no assistants, no artificial lighting, just raw journalism. When photographing bands, she would follow a band on tour and not tell them to pose in any way, but just photograph them as they are, capturing the life of them within the image perfectly. She did not use any photoshop or any editing, just a raw image. By not editing, she captures their spirit perfectly.
Annie Leibovitz-Group Photos
In her early days, Annie Leibovitz took group photos, especially of her family without any help, with film, and without photoshopping. Her most recent images, especially her Vanity Fair covers, involve studios filled with assistants, backlights, fans, extreme photoshopping, and with digital. What she does some of the time is take separate photos of the people in the group, and then photoshops all of the people together. What she does perfectly is compose the picture. There is always a perfect composition, so your eye is not drawn to one particular area of the photograph, everyone is wearing something different and posed slightly different, and there seems to be an imaginary line that just glides through the people in the photograph, in other words, the photograph is seamless.
Annie Leibovitz-Magic Realism
Annie Leibovitz started doing these dream-like photographs back in 1999, since then she has shot series such as "Alice in Wonderland" and "The Wizard of Oz" both for Vogue, and last year she shot photos for Disney's "Year of a Million Dreams" campaign. In these photos she recreates a recognizable theme (movies, old stories), but uses celebrities, over-the-top costumes, very photoshopped backgrounds, lots of assistants and artificial lighting and props, and a lot of airbrushing over the photo to give it an unrealistic and dreamy feel. She never has her subjects staring directly at the camera in the photograph, simulates almost a fashion advertisement, and shoots them almost like movie stills, very picturesque and fake looking, a bit campy, a photo that without a doubt draws attention.